Samira is imbibed with natural instincts for all arts and artistic developments. The passion to explore Oriental Culture was sparked in her.
Right at the age of three years she laid her first foot-steps in Kathak at the feet of Guru Gopi Krishna. Later she took up Odissi with her present Guru Ravindra Attibudhi. She is quite at ease in her academic education and has completed her Business Management.
Samira is a rare blend of beauty, grace, charm, talent and is poised with intricate rhythm and abhinaya the two principal assets of this art. She finds no difficulty in identifying herself with the various “Nayikas”
She has the distinction of performing in the Metropolitan cities of India and at various Classical Conferences. Recently she had performed. In Bombay where she won laurels for her performance and got excellent reviews in Times (Hindi & English), Lok-Satta, Urdu Daily, Mid-Day etc. She won the complete attention of the audience who remained spell-bound.
In the midst of all the achievements her sympathetic attitude for other not so fortunate in their pursuits of arts, sowed the seeds for the creation of an institution. The Konark Nritya Mandir is the natural outcome of this attitude.
Sanira showed distinct promise in her dance recital, whether it was “Mangalacharn”, the Shankara Bharanam based “Pallavi” or her apt Abhinaya in “Ramayan” bringing to life the characters of Ram, Sita Lakshman, Jatayu & Ravan. She exuded confidence & grace in fast or slow “laya”
The Times of India
Samira has a bright future in Classical dance. She was excellent in her “Pallavi” and abhinaya “Shritakamala”, where she showed coutless variety of Expressions. She exhibits that deeper sensibility which gives soul to performance.
The Navbharat Times
Samira’s Abhinaya was throughout convincing brining life to characters portrayed by her.
The Lok-Satta
Endowed with striking personality Samira has a bright future before her, She depicted the “Seetaharan” from the “Ramayana” in an impeccable way. One was struck by the unfoldment, the Melodic richness inherent in the fare and above all the grace and fluidity to classicism that premeated Samira’s dancing.
Mid-Day
The most impressive fact about Samira is her objects, devotion to the dance and the continuous creativity. Richly endowed with “taal” Rhythm, movement & excellent expressions she has made her way in the hearts of numerous dance appreciators.
Urdu Daily
Odissi is a classical dance form originating from Odisha, India. It’s known for its elegance, fluid movements, and expressive storytelling. The dance form is characterized by:
– Intricate hand gestures (mudras): Conveying emotions and telling stories
– Dynamic footwork: Showcasing rhythmic patterns and movements
– Expressive facial expressions: Bringing characters and emotions to life
– Fluid body movements: Embodying the poetry and music of Odia literature
Odissi is often performed to depict mythological themes, love stories, and spiritual themes. The dance form requires great skill, control, and practice to master.
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